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Kaleidoscope Eyes by Amber Lyons
Gamboa by Beatriz Milhazes
The U. S. Mint Louisiana State Museum
“Come Fairies, take me out of this dull world,
for I would ride with you upon the wind
and dance upon the mountains like a flame!”
– The Land of Heart’s Desire by William Butler Yeats
Often as a child I found myself day dreaming about an empty hardwood floor stage, flooded with bright warm lights before a sold out audience. Perfectly poised with pointed toes, I am graceful, the music and my body acting as one. Lilac chiffon skirt layers drape over my sculpted legs, the magenta nylon/spandex leotard a disposable layer of skin over my chest and torso. Freshly bloomed pink rose ribbons and slippers—an image of grace. In these dreams I am a Prima ballerina assoluta. Of course, I realized that I will never be a Prima ballerina assoluta or even a ballerina because I lack the grace and poise, not meeting the height requirement by a foot and two inches. Never has this subject been more painful then when I first looked upon Gamboa by Beatriz Milhazes.
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